American Literature II from the Civil War to the Present
I. Course Prefix/Number: EGL 222
Course Name: American Literature II from the Civil War to the Present
Credits: 3 (3 lecture; 0 lab)
III. Course (Catalog) Description
IV. Learning Objectives
A. Identify some of the major works and periods of American literature from the Civil War
to the Present.
B. Define the distinctive characteristics of various genres (e.g. poetry, non-fiction essay,
fiction, drama) from the Civil War to the Present.
C. Explain the complexities of race, gender, region, nationality, and class in the American
literary tradition from the Civil War to the Present.
D. Delineate the social, intellectual, and historical influences specific to the development of American literary traditions from the Civil War to the Present.
E. Interpret the formal elements of these works using appropriate terminology, such as:
speaker, metaphor, symbolism, irony, tone, meter, rhyme, simile, personification, etc.
F. Analyze works in the context of their literary, cultural, and historical backgrounds.
G. Synthesize knowledge of genre, formal elements, and background material.
H. Incorporate secondary sources in the analysis and interpretation of literary texts.
V. Academic Integrity
• plagiarism (turning in work not written by you, or lacking proper citation),
• falsification and fabrication (lying or distorting the truth),
• helping others to cheat,
• unauthorized changes on official documents,
• pretending to be someone else or having someone else pretend to be you,
• making or accepting bribes, special favors, or threats, and
• any other behavior that violates academic integrity.
There are serious consequences to violations of the academic integrity policy. Oakton's policies and procedures provide students a fair hearing if a complaint is made against you. If you are found to have violated the policy, the minimum penalty is failure on the assignment and, a disciplinary record will be established and kept on file in the office of the Vice President for Student Affairs for a period of 3 years.
Details of the Code of Academic Conduct can be found in the Student Handbook.
VI. Sequence of Topics
Selections may include works of Dickinson, Lanier, Moody, Dunbar, Jewett, Garland, Twain, Howells, Crane, Norris, Dreiser, DuBois, Johnson, Cather, Wharton, Chopin, Freeman, James.
Week 6 10: 1914 1945
Selections may include works of Robinson, Frost, Sandburg, Lindsay, Stevens, Williams, Pound, Jeffers, Moore, Eliot, Cummings, Crane, Tate, Cullen, Porter, Toomer, Fitzgerald, Faulkner, Hemingway, Wolfe, Steinbeck, Wright, Mencken, Odets, Roth, Hellman
Week 11 16: 1945 Present
Selections may include works of Roethke, Shapiro, Brooks, Lowell, Ferlinghetti, Wilbur, Dickey, Snodgrass, Ginsburg, Plath, Sexton, Rich, Olsen, Jones, (Baraka) Kerouac, Podhoretz, Baldwin, King, Jr., Malcom X, Cleaver, Ellison, Welty, Malamud, Roth, McCullers, O'Connor, Barth, Barthelme, Updike, Oates, Morrison, Walker, Tyler, Albee, O'Neil, Williams, Hansberry, Mamet, Shepherd, Cheever, Erdrich.
VII. Methods of Instruction
Course may be taught as face-to-face, media-based, hybrid or online course.
VIII. Course Practices Required
IX. Instructional Materials
X. Methods of Evaluating Student Progress
Required written work:
A minimum of three critical essays of at least 750 words each, written outside of class.
XI. Other Course Information
For whatever information/procedures the instructor holds the student accountable.
If you have a documented learning, psychological, or physical disability you may be entitled to reasonable academic accommodations or services. To request accommodations or services, contact the ASSIST office in the Learning Center. All students are expected to fulfill essential course requirements. The College will not waive any essential skill or requirement of a course or degree program.