Introduction to Film
I. Course Prefix/Number: HUM 160
Course Name: Introduction to Film
Credits: 3 (3 lecture; 0 lab)
III. Course (Catalog) Description
IV. Learning Objectives
A. Identify film form and how it differs from other media.
B. Recognize key elements germane to film history and techniques.
C. Appraise the value of films as a reflection of culture.
D. Develop an appreciation of film as an art form.
E. Apply concepts and classroom experiences to increase their enjoyment of film outside of class.
F. Develop critical thinking and writing skills.
V. Academic Integrity
• plagiarism (turning in work not written by you, or lacking proper citation),
• falsification and fabrication (lying or distorting the truth),
• helping others to cheat,
• unauthorized changes on official documents,
• pretending to be someone else or having someone else pretend to be you,
• making or accepting bribes, special favors, or threats, and
• any other behavior that violates academic integrity.
There are serious consequences to violations of the academic integrity policy. Oakton's policies and procedures provide students a fair hearing if a complaint is made against you. If you are found to have violated the policy, the minimum penalty is failure on the assignment and, a disciplinary record will be established and kept on file in the office of the Vice President for Student Affairs for a period of 3 years.
Details of the Code of Academic Conduct can be found in the Student Handbook.
VI. Sequence of Topics
Introduction to the Course
Film Language and Vocabulary
The Origins of Film
The Development of the Narrative Film
D.W. Griffith’s Contributions to Film Language
The Classic Narrative Style
Russian Silent Film: Montage Editing
German Expressionism: Mise-en-scene
Transition to Sound
Rise of the Studio System
The Aesthetics of Sound
Censorship in Hollywood: Production Code
The Golden Age of Hollywood, Part 1
Emphasis on the Star System
The Production Code during the Golden Age
The Golden Age of Hollywood, Part 2
Emphasis on the Studio System
The Classic Narrative Style in the Sound Era
The Mavericks: Welles and Micheaux
The Transition Period (and the fall of the Hollywood System)
The French New Wave
The Film School Generation, Part 1: New Directions and New Styles
The Film School Generation, Part 2: New Forms of Censorship
VII. Methods of Instruction
B. Reading assignments
D. Field Trips
Course may be taught as face-to-face, media-based, hybrid or online course.
VIII. Course Practices Required
B. Standards for written work
F. Final Projects
G. Special policies about make-up exams, late papers, or other matters of concern
IX. Instructional Materials
Text: VARIES BY INSTRUCTOR
X. Methods of Evaluating Student Progress
Oral Presentation of a Final Project……………………10 points
Attendance and Participation…………………………..10 points
Grading Scale. 90% - 100% = A // 80% - 89% = B // 70% - 79% = C // 60% - 69% = D // below 60 = F
XI. Other Course Information
Office and office hours:
Email and website:
If you have a documented learning, psychological, or physical disability you may be entitled to reasonable academic accommodations or services. To request accommodations or services, contact the Access and Disability Resource Center at the Des Plaines or Skokie campus. All students are expected to fulfill essential course requirements. The College will not waive any essential skill or requirement of a course or degree program.