Music Theory II
I. Course Prefix/Number: MUS 122
Course Name: Music Theory II
Credits: 3 (3 lecture; 0 lab)
III. Course (Catalog) Description
Course continues MUS 121. Content includes traditional harmony of Romanticism, four-part writing and altered chords. Focus is on skills development in writing, listening and analysis. Course must be taken in tandem with MUS 120 (Aural Skills II).
IV. Learning Objectives
- To write musical compositions from the 17th and 18th centuries.
- To analyze, at sight, hymn tunes involving primary and secondary chords in all inversions.
- To compose using all diatonic chords, including seventh chords, along with secondary chords and altered chords.
V. Academic Integrity and Student Conduct
• plagiarism (turning in work not written by you, or lacking proper citation),
• falsification and fabrication (lying or distorting the truth),
• helping others to cheat,
• unauthorized changes on official documents,
• pretending to be someone else or having someone else pretend to be you,
• making or accepting bribes, special favors, or threats, and
• any other behavior that violates academic integrity.
There are serious consequences to violations of the academic integrity policy. Oakton's policies and procedures provide students a fair hearing if a complaint is made against you. If you are found to have violated the policy, the minimum penalty is failure on the assignment and, a disciplinary record will be established and kept on file in the office of the Vice President for Student Affairs for a period of 3 years.
Please review the Code of Academic Conduct and the Code of Student Conduct, both located online at
VI. Sequence of Topics
Representative topics such as:
- The cadential six-four chord
- Tonic, subdominant and dominant triads in first inversion
- The supertonic triad
- Inversions of the dominant seventh chord
- Submediant and mediant triads
- The leading-tone triad
- The supertonic seventh chord
- The leading-tone seventh chord
- Other diatonic seventh chords
- Secondary Dominants
- Secondary Leading-tone chords
- Altered chords
- Intermediate level of modulation
VII. Methods of Instruction
Instruction includes lecture-demonstration; composition and practicum.
Course may be taught as face-to-face, hybrid or online course.
VIII. Course Practices Required
Class discussion and analysis of level II chorale-texture part writing on figured bass or Roman numerals.
Students will be required to do assignments consisting of level II melody harmonizations and composing their own musical scores in the style of the Romantic period.
IX. Instructional Materials
- Representative textbook such as: Kostka, Payne, et al., Tonal Harmony, Latest Edition
- Representative software such as: Fianle, 2008
X. Methods of Evaluating Student Progress
There will be examinations and quizzes. Each examination is based on the content of the assigned reading material and on information presented in class by the instructor.
XI. Other Course Information
If you have a documented learning, psychological, or physical disability you may be entitled to reasonable academic accommodations or services. To request accommodations or services, contact the Access and Disability Resource Center at the Des Plaines or Skokie campus. All students are expected to fulfill essential course requirements. The College will not waive any essential skill or requirement of a course or degree program.
Oakton Community College is committed to maintaining a campus environment emphasizing the dignity and worth of all members of the community, and complies with all federal and state Title IX requirements.
Resources and support for
- pregnancy-related and parenting accommodations; and
- victims of sexual misconduct
Resources and support for LGBTQ+ students can be found at www.oakton.edu/lgbtq.