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Koehnline
Museum
of Art
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Introduction
to Museum Studies
Art 120
This
introductory credit course emphasizes the role of the curator in the museum
field, especially in the areas of collection management and exhibit preparation.
Although the course focuses on the art museum, the basic principles also
apply to other types of museums such as history, science or nature. The
Koehnline Museum at the Des Plaines campus serves as a lab for this course.
For more information call: (847) 635-2633.
Museum Studies: Field Experience
Art 240
Students will obtain hands-on
experience in the museum field through an internship (paid) or practicum
(unpaid) for 10 hours per week at a Chicago area art, history, natural
history, science, or botanic garden museum. Throughout the internship or
practicum, students will meet with the instructor to provide detailed reports
of their work experience. For more information call:
(847) 635-2633.
Publications:
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Passages:
Corey Postiglione,
Nov. 1998, essays by Nathan Harpaz, Bonnie Hartenstein and Michael Rooks.
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For
All Ages: Patrick Miceli,
Jan. 1999, essays by Nathan Harpaz and James Yood.
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Expressions
toward the End of the Millennium, May 1999, essay by Nathan Harpaz.
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Mayan
Procession: Winifred Godfrey,
June 1999, essays by Nathan Harpaz and Rene Arceo.
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Fragments
of Refuge: Fern Valfer,
August 1999, essays by Nathan Harpaz and John Brunetti.
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Red:
Space 900 Group, Dec. 1999, essay by Nathan Harpaz.
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Myungah
Hyon: Installation,
Feb. 2000, essays by Nathan Harpaz and Gregory Knight.
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Glancing
Back: John Pitman Weber,
May 2000, essays by Nathan Harpaz and Michael Piazza.
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Painting
in Chicago Now, July 2000, essay by Corey Postiglione.
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Max
Ernst: From the Collection of William A. and Phyllis G. Koehnline,
September 2000, essay by Nathan Harpaz.
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Milestones
of Photography, December 2000, essay by Nathan Harpaz.
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Plucked
Chicken Press: The Oakton Community College Collection of Stone Prints
by Will Petersen and His Contemporaries,
2001, text by Nathan Harpaz.
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Richard
Hunt: Wings, February 2001, essay by Nathan Harpaz.
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Illinois
Landscapes: George Atkinson, Harold Gregor, Fred Jones,
May 2001, essay by David Sokol.
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Sculpture
in Chicago Now, July 2001, essay by Corey Postiglione.
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John
Himmelfarb: Inland Romance, September
2001, introduction by Nathan Harpaz and essay by Gerald Nordland.
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Didier
Nolet: Full Circle,
December 2001, essay by Garrett Holg.
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Jiang
Xue-Bing: A man of Four Legends,
February 2002, essays by Nathan Harpaz and Zong Ying.
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A Gift
to Biro-Bidjan: Chicago 1937; From Despair to New Hope, 2002,
text by Nathan Harpaz.
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Gay
Riseborough: Dark Times II,
May 2002, essay by Robert Kameczura.
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Philip
Livingston: Open Book/Intimate Pages, July
2002, essay by Stephanie Bowman.
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Otto
Neumann: Fidelity to the Human Form,
September 2002, essay by David Sokol.
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Sandra
Perlow: Swing,
December 2002, essay by John Brunetti.
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Dennis
Kowalski: Mars,
May 2003, essay by Nathan Harpaz.
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Keith Krueger: Assemblages,
July
2003, essay by Nancy Sausser.
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Asaph Ben Menhaem: Monumental
Woodcuts and Related Works,
September 2003, introduction by Nathan Harpaz and essay by Aimee Brown
Price.
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Alpha and Omega: Small Sculptures
and Models by Jerry Peart,
December 2003, essay by Victor Cassidy.
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A Gift to Biro-Bidjan, Chicago
1937: From Despair to New Hope,
February 2004, text by Nathan Harpaz.
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Seymour Rosofsky: Fresh Glance,
May 2004, introduction by Nathan Harpaz and essay by Diane Thodos.
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Monuments and Fragments:
Installation by Michico Itatani and Pavel Kraus,
September 2004, introduction by Joseph Karoly
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Words and Pictures: Paintings
by James Mesple, Poetry by Effie Mihopoulos,
December 2004, introduction by Nathan Harpaz.
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ArtWalk at Oakton: Koehnline
Museum of Art Catalog and Guidebook of the Oakton Community College Art
Collection, Des Plaines Campus,
2005, text by Nathan Harpaz.
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Agustin Portillo: America,
February 2005, introduction by Nathan Harpaz, and essay by Diane Thodos.
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Paintings by Moritz Kellerman
and Bill Moll,
May 2005, essay by Nathan Harpaz.
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Material and Object, A Romance:
Sculpture by Mimi Peterson, July 2005, essay by Erik Peterson.
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I’mPact:
An exhibit exploring the pact between nature and soul to create infinite
individuals, September 2005, text by Stephanie Bowman.
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Andrew Young: Harbour,
December 2005, preface by Nathan Harpaz, essay by Britt Salvesen.
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Turbulent Times: The Expressionist
Art of Diane Thodos,
May 2006, introduction by Nathan Harpaz, essay by Victor Cassidy.
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Joseph Delaney: People and
Sights of Urban Life,
February 2007, introduction by Nathan Harpaz, essay by Frederick C. Moffatt.
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Sculpture Invasion, July
2007, introduction by Nathan Harpaz, essay by Victor Cassidy.
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Barbie Meets G.I. Joe,
September 2007, essay by Nathan Harpaz.
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Convergence: Jewish and african
American Artists in Depression-era Chicago,
February 2008, introduction by Nathan Harpaz, essay by Richard Courage.
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Leo Politi: Mexican Images
of Olvera Street,
May 2008, essay by Nathan Harpaz.
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