Western Culture and the Arts: Renaissance through the Middle Ages
I. Course Prefix/Number: HUM 121
Course Name: Western Culture and the Arts: Renaissance through the Middle Ages
Credits: 3 (3 lecture; 0 lab)
III. Course (Catalog) Description
IV. Learning Objectives
A. Demonstrate basic knowledge of the major cultural eras covered
B. Define the basic vocabulary needed to discuss cultural achievements.
C. Recognize major works of art and identify the stylistic period within which representative works of art were produced.
D. Discuss, compare, and evaluate representative works of literature and philosophy produced within this period.
E. Restate and critique the values expressed in the religious, philosophical and literary texts of this period, and discuss the current relevance of these values.
F. Demonstrate basic knowledge of the European encounter with Africa, the Americas, and Asia, and evaluate the cultural effects both on Europe and the areas colonized by Europe.
G. Demonstrate basic knowledge of the cultural and religious diversity within Western civilization and the development of nationalism, ant-Semitism, and racism within Western culture.
H. Present and debate conflicting cultural interpretations of the Western tradition.
I. Exhibit values related to teamwork and collaboration, fostered by the pedagogy of shared inquiry and critical dialogue appropriate to the humanities and to philosophy.
V. Academic Integrity
• plagiarism (turning in work not written by you, or lacking proper citation),
• falsification and fabrication (lying or distorting the truth),
• helping others to cheat,
• unauthorized changes on official documents,
• pretending to be someone else or having someone else pretend to be you,
• making or accepting bribes, special favors, or threats, and
• any other behavior that violates academic integrity.
There are serious consequences to violations of the academic integrity policy. Oakton's policies and procedures provide students a fair hearing if a complaint is made against you. If you are found to have violated the policy, the minimum penalty is failure on the assignment and, a disciplinary record will be established and kept on file in the office of the Vice President for Student Affairs for a period of 3 years.
Details of the Code of Academic Conduct can be found in the Student Handbook.
VI. Sequence of Topics
Week 1 The Early Renaissance: Classical Roots and the Debt to the Islamic World, 1400-1494 ……Focus on Brunelleschi, Donatello, Botticelli, Mirandola, Josquin des Prez
Week 2 The High Renaissance and the European Encounter with the “New World”: 1494-1564 . . . Focus on Leonardo, Michelangelo, Raphael, Machiavelli, Thomas More, Columbus, Bartolomé de las Casas, Palestrina
Week 3 The Northern Renaissance and the Reformation: 1500-1603 . . . Focus on Shakespeare, Luther, Durer, Bruegel, El Greco, Farmer
Week 4 The Baroque Age: 1600-1715 . . . Focus on Bernini, Caravaggio, Gentileschi, Pozzo, Rembrandt, Aphra Behn, Bach, Handel, Monteverdi, Strozzi, Vivaldi, Moliere, Milton
Week 5 The Baroque Age: Scientific, Philosophical, and Political Thought: 1600-1715 …….Focus on Copernicus, Galileo, Newton, Descartes, Hobbes, Locke
Week 6 The Enlightenment: 1700-1789….Focus on Watteau, Hogarth, Vigee-Lebrun, David, Hayden, Mozart
Week 7 Focus on Kant, Hume, Wollstonecraft, Voltaire, Rousseau, and Adam Smith
Week 8 Revolution and Romanticism: 1760-1830……Turner, Friedrich, Goya, Delacroix, Beethoven, Schubert, Berlioz
Week 9 Focus on Jefferson, Goethe, Mary Shelley, Hegel
Week 10 The Triumph of the Bourgeoisie and the Critical Response: 1830-1871…Focus on Manet, Daumier, Millet, Verdi, Wagner, Brahms
Week 11 Focus on Marx, Darwin, Flaubert, Henry Thoreau, Whitman, Dickens, Tolstoy, Dostoevsky, Zola
Week 12 European Imperialism and its Cultural Legacies…..Focus on Douglas and Conrad
Week 13 Early Modernism: 1871-1914 . . . Focus on Nietzsche, Freud, Kafka, Ibsen, Twain, Cassatt, Degas, Monet, Van Gogh, Picasso, Sullivan, Debussy, Stravinsky, Schoenburg, Puccini, Joplin
Week 14 The Zenith of Modernism: 1914-1945 . . . Focus on James Joyce, Elie Wiesel, Virginia Woolf, Langston Hughes, Brecht, Wright, Proust, Sartre, Jacob Lawrence, O’Keefe, Dali, Kahlo, Dorothea Lange, Gropius, Le Corbusier, Eisenstein, Copland, Ives, Ellington, Berg, Bessie Smith, Katherine Dunham, Merce Cunningham
Week 15 The Contemporary Age: 1945-present……… Focus on Foucault, Simone de Beauvoir, Martin Luther King, Toni Morrison, Doris Lessing, Frantz Fanon, Kiefer, Gehry, Koolhass, de Kooning, Ellison, Judy Chicago, Benjamin Britten, John Cage, Ligeti, Muddy Waters, Chuck Berry, Rolling Stones, Beatles, Bob Dylan, Aretha Franklin, Samuel Beckett, Tennessee Williams, Tony Kushner, Alice Walker, Frank Gehry
Week 16 The meaning of Western culture in a post-colonial, globalized world….Focus on James Baldwin, Orphan Pamuk, Salmon Rushdie, Derek Walcott, Edward Said, Charles Mills, Oscar Hijuelos, Chandra Talpade Mohanty, Gloria Anzaldua, Paula Gunn Allen, Anita Desai, Isabel Allende, Audre Lorde
VII. Methods of Instruction
Course may be taught as face-to-face, media-based, hybrid or online course.
VIII. Course Practices Required
Examples of requirements:
Attendance and participation
Standards for written work
Special policies about make-up exams, late papers, or other matters of concern
IX. Instructional Materials
X. Methods of Evaluating Student Progress
Final Project………10 points
Attendance and Participation…..10 points
Grading Scale. 90% - 100% = A // 80% - 89% = B // 70% - 79% = C // 60% - 69% = D // below 60 = F
XI. Other Course Information
Office and office hours:
Email and website:
If you have a documented learning, psychological, or physical disability you may be entitled to reasonable academic accommodations or services. To request accommodations or services, contact the ASSIST office in the Learning Center. All students are expected to fulfill essential course requirements. The College will not waive any essential skill or requirement of a course or degree program.